At the moment I’m over in Edinburgh covering the fringe. Biggest doesn’t always mean best – I’ve seen plenty of dross already – but it’s still a great festival. Here’s a couple of reviews I’ve done for the popular Scottish arts guide The List
Hannah Gadsby Does Mother Really Know Best?
Hannah Gadsby’s domineering, Catholic mammy has plenty to answer for. She dressed her youngest daughter in beige tracksuits and pleated purple golf shorts, treated serious injuries with Tupperware and spoke in an unintelligible personal code: you’ll never guess what the show’s rather odd title, Kiss Me Quick I’m Full of Jubes, means in Mrs Gadsby’s world. Those parenting skills may have bordered on negligence but they did gift this amiable Antipodean a rich seam of comic gold, which she mines with aplomb.
With a self-deprecation that borders on flagellation, the chunky, bespectacled Gadsby goes from childhood in Tasmania (‘famous for its frighteningly small gene pool’) to eventually coming out to her stiflingly conventional family. Along the way we hear about a traumatic recent encounter with a personal trainer and the BMI (‘I’m 56% fat-free’ she announces with a mix of pride and weary resignation) and an alarmingly lengthy history of accidents and ailments. A lesser talent might have turned mother into a one-dimensional monster: instead Gatsby, with deadpan delivery and razor-sharp wit, makes her the basis of a minor comic masterpiece.
Assembly Rooms, 623 3030, until 30 Aug (not 17), 7.20pm, £10–£11 (£9–£10).
You’d expect plenty of cringing in a sketch show about awkward situations, but too often this fresh-faced, well-spoken duo are the ones left shifting uncomfortably. Even their enthusiastic delivery and game attempts at audience participation can’t lift weak riffs on predictable material: the holy trinity of sex, death and Facebook.
Royal College of Surgeons, 0845 508 8515, until 22 Aug (not 16), 6.10pm, £7 (£5).